Anderson Family Practice 1301 Dove St Monroe, Nc
Wes Anderson | |
---|---|
![]() Anderson at the Berlin Movie Festival (2018) | |
Born | Wesley Wales Anderson (1969-05-01) May 1, 1969 Houston, Texas, U.S. |
Alma mater | University of Texas at Austin (BA) |
Occupation |
|
Years active | 1992–present |
Partner(s) | Juman Malouf |
Children | 1 |
Relatives | Eric Chase Anderson (brother) |
Wesley Wales Anderson (born May 1, 1969) is an American filmmaker. His films are known for their eccentricity and unique visual and narrative styles.[1] Cited by some critics equally a mod-day example of the piece of work of an auteur, iii of Anderson'due south films – The Royal Tenenbaums (2001), Moonrise Kingdom (2012), and The Grand Budapest Hotel (2014) – appeared in BBC Culture's 2016 poll of the greatest films since 2000.[ii]
Anderson was nominated for the Academy Award for Best Original Screenplay for The Royal Tenenbaums (2001), Moonrise Kingdom (2012) and The Grand Budapest Hotel (2014), besides every bit the University Award for Best Animated Feature for the stop-motion films Fantastic Mr. Fox (2009) and Isle of Dogs (2018). With The Grand Budapest Hotel, he received his first Academy Laurels nominations for All-time Director and All-time Motion picture, and won the Golden Globe Award for Best Motion Motion picture – Musical or Comedy and the BAFTA Honour for All-time Original Screenplay.[three] He currently runs the production company American Empirical Pictures, which he founded in 1998.[four] He won the Silver Bear for Best Director for Isle of Dogs in 2018.[5]
Early life [edit]
Wesley Wales Anderson was built-in on May ane, 1969, in Houston, Texas, to Texas Ann Anderson (née Burroughs), a realtor and archaeologist,[6] and Melver Leonard Anderson, who worked in advertising and public relations.[seven] [viii] [9] [x] [11] He is the second of three boys; his parents divorced when he was 8.[11] His older brother, Mel, is a physician, and his younger brother, Eric Chase Anderson, is a writer and creative person whose paintings and designs have appeared in several of Anderson's films, such as The Regal Tenenbaums.[12] Anderson is of English, Swedish and Norwegian beginnings.[xiii]
He graduated from St. John'due south Schoolhouse in Houston in 1987, which he afterwards used equally a prominent location throughout Rushmore.[fourteen] Equally a child, Anderson made silent films on his father's Super eight photographic camera which starred his brothers and friends, although his first ambition was to be a writer.[eleven] [12] Anderson worked part-fourth dimension as a cinema projectionist while attending the University of Texas at Austin, where he met his roommate[15] and futurity collaborator Owen Wilson in 1989.[11] [16] In 1991 he graduated with a B.A. in philosophy.[17] [12]
Moving picture career [edit]
1990s [edit]
Anderson'southward first film was Canteen Rocket (1996), based on a curt pic of the same name that he made with Luke and Owen Wilson. It was a crime caper about a group of young Texans aspiring to achieve major heists. It was well reviewed but performed poorly at the box office.[18] [19] [xx]
His next film was Rushmore (1998), a quirky comedy near a loftier schoolhouse student's crush on an elementary school teacher starring Jason Schwartzman, Bill Murray, and Olivia Williams. It was a critical and fiscal success.[21] The film launched Murray'southward second act as a respected actor within contained cinema. Murray has since appeared in every Anderson picture to date. At the 1999 Independent Spirit Awards, Anderson won the Best Managing director honour and Murray won All-time Supporting Male. Murray also earned a nomination for Golden Earth Award for Best Supporting Actor – Motion Flick. In 2000, filmmaker Martin Scorsese praised Bottle Rocket and Rushmore.[22] Since its release, Rushmore has gained cult status, and in 2016, the film was selected for preservation in the United States National Movie Registry by the Library of Congress equally being deemed "culturally, historically, or aesthetically significant".[23]
2000s [edit]
Anderson's side by side comedy-drama, The Imperial Tenenbaums, was released in 2001. The moving-picture show focuses on a successful and artistic New York City family and its ostracized patriarch played by Gene Hackman. The film besides starred Anjelica Huston as the ex-wife and Ben Stiller, Luke Wilson, and Gwyneth Paltrow as the children. The film was a box-office and critical success. Information technology represented his greatest financial success until Moonrise Kingdom in 2012, earning more than $l one thousand thousand in domestic box-office receipts. The Royal Tenenbaums was nominated for an Academy Award and ranked by an Empire poll equally the 159th greatest picture ever fabricated.[24]
Anderson's side by side characteristic was The Life Aquatic with Steve Zissou (2004) about a Jacques Cousteau-esque documentary filmmaker played past Pecker Murray. The film also starred Owen Wilson, Cate Blanchett, Willem Dafoe, Jeff Goldblum, Anjelica Huston, and Michael Gambon. The film serves as a archetype example of Anderson's style, but its critical reception was less favorable than his previous films, and its box office did not match the heights of The Royal Tenenbaums.[25] In September 2006, Steely Dan's Walter Becker and Donald Fagen released a tongue-in-cheek "letter of intervention" for Anderson'southward creative "malaise" post-obit the disappointing commercial and critical reception of The Life Aquatic with Steve Zissou, proclaiming themselves to be fans of World Movie theater and of Anderson in item. They offered Anderson their soundtrack services for The Darjeeling Express, including lyrics for a championship track.[26]
The Darjeeling Limited (2007) was about three emotionally distant brothers traveling together on a train in India. It reflected the more dramatic tone of The Imperial Tenenbaums but faced criticisms similar to The Life Aquatic with Steve Zissou. Anderson has acknowledged that he went to India to film the moving-picture show partly as a tribute to Indian filmmaker Satyajit Ray, whose "films take also inspired all my other movies in dissimilar ways" (the film is dedicated to him).[27] The film starred Anderson staples Jason Schwartzman and Owen Wilson in improver to Adrien Brody, and the script was co-written by Anderson, Schwartzman, and Roman Coppola.[28]
Anderson has also made several notable short films. In addition to the original Canteen Rocket short, he fabricated the Paris-set Hotel Chevalier (2007), which was created as a prologue to The Darjeeling Limited and starred Jason Schwartzman alongside Natalie Portman, and the Italy-gear up Castello Cavalcanti (2013),[29] which was produced by Prada and starred Jason Schwartzman as an unsuccessful race-car driver. Additionally, he has directed a number of television commercials for companies such as Stella Artois and Prada, including an elaborate American Express ad, in which he starred as himself.[30] Anderson wrote a script for Brian Glazer for an English-language remake of Patrice Leconte'due south My Best Friend. In 2010 he said that he did not plan to direct the film, tentatively called The Rosenthaler Suite.[31]
In 2009, Anderson's stop-motion-blithe film adaptation based on the Roald Dahl book Fantastic Mr Flim-flam was released. Voice talents included George Clooney, Meryl Streep, Owen Wilson, Bill Murray, Willem Dafoe, Jason Schwartzman, Adrien Brody, and Michael Gambon. The film was highly praised among critics and nominated for the University Award for Best Animated Characteristic, although it barely made dorsum its production budget.
2010s [edit]
In 2012, Anderson's film Moonrise Kingdom was released, debuting at the Cannes Film Festival, where information technology competed for the Palme d'Or.[32] The film is a coming-of-age comedy set in a fictional New England town. The film includes ensemble performances from Bill Murray, Edward Norton, Bruce Willis, Frances McDormand, and Tilda Swinton. The moving picture was emblematic of Anderson's style and earned Anderson another Academy Award nomination for his screenplay. The film was also a fiscal success, earning $68.3 million at the box office against a budget of merely $16 million.
In 2014, Anderson's next picture show, The Grand Budapest Hotel, was released and starred Ralph Fiennes, Tony Revolori, Saoirse Ronan, Jeff Goldblum, Willem Dafoe, F. Murray Abraham, too every bit several of his regular collaborators, including Neb Murray, Owen Wilson, Tilda Swinton and Jason Schwartzman.[33] It is mostly ready in the 1930s and follows the adventures of Grand. Gustave, the hotel's concierge, making "a marvelous mockery of history, turning its horrors into a serial of svelte jokes and mischievous gestures," according to The New York Times.[34] The film represented one of Anderson's greatest critical and commercial successes, grossing nearly $175 million worldwide and earning dozens of award nominations, including nine Oscar nominations with iv wins for Best Production Design, All-time Costume Design, Best Makeup, and Best Original Score.[35] These nominations likewise included his first for All-time Director.
Anderson returned to finish-move animation with Isle of Dogs.[36] Production on the film started in the Uk in October 2016, and it was released in March–Apr 2018.[37] [38] [39] The movie received Academy Award nominations for All-time Blithe Characteristic and Best Original Score.[40]
2020s [edit]
Anderson's adjacent motion-picture show, The French Dispatch, is set in mail-war France and stars Benicio Del Toro, Jeffrey Wright, Bill Murray, Frances McDormand, Owen Wilson, Willem Dafoe, Adrien Brody, Tilda Swinton and Timothée Chalamet. Its release was delayed due to the COVID-19 pandemic, finally premiering at the Cannes Pic Festival on July 12, 2021, with a full general release in the The states on October 22, 2021.[41] In the concurrently, Searchlight Pictures released in September 2021 an animated music video of Christophe'south "Aline" covered by Jarvis Cocker, directed by Anderson with animations by Javi Aznarez.[42] [43]
Wes Anderson designed a railroad vehicle for the Belmond's British Pullman train, which began running on October thirteen, 2021.[44]
Upcoming projects
In November 2021, Anderson finished filming his latest feature entitled Asteroid City, only very few details accept transpired to the press.[45] In May 2021 it was announced that it would be filmed in the Spanish urban center of Chinchón, where a huge diorama set reproducing Monument Valley were under structure.[46] [47] The film stars Tom Hanks, Margot Robbie, Scarlett Johansson, Adrien Brody, Neb Murray, Tilda Swinton, Bryan Cranston, Jeff Goldblum, Hope Davis, and Jeffrey Wright among many others.[48]
In January 2022, it was announced that Anderson would directly an adaptation of Roald Dahl'southward brusk story collection The Wonderful Story of Henry Sugar and Six More for Netflix, which holds the rights to Dahl's works, with Benedict Cumberbatch, Dev Patel, Ralph Fiennes, and Ben Kingsley set to star.[49] [50]
Directing techniques [edit]
Anderson's cinematic influences include Pedro Almodóvar,[51] Satyajit Ray,[27] Hal Ashby,[52] and Roman Polanski.[53] Anderson has a unique directorial style that has led several critics to consider him an auteur.[54] [55] [56] [57] Wes Anderson is considered a central figure in the American Eccentric Picture palace tradition.[58]
Themes and stories [edit]
Anderson has chosen to direct mostly fast-paced comedies marked by more than serious or melancholic elements, with themes often centered on grief, loss of innocence, dysfunctional families, parental abandonment, adultery, sibling rivalry and unlikely friendships. His movies have been noted for being unusually grapheme-driven, and past turns both derided and praised with terms like "literary geek chic".[59] [lx] The plots of his movies oft feature thefts and unexpected disappearances, with a tendency to borrow liberally from the antic genre.[61]
Visual style [edit]
Anderson has been noted for extensive use of apartment infinite photographic camera moves, symmetrical compositions, knolling, snap-zooms, dull-motion walking shots, a deliberately limited color palette, and mitt-fabricated fine art management oft utilizing miniatures.[62] These stylistic choices give his movies a highly distinctive quality that has provoked much give-and-take, critical study, supercuts, brew-ups, and even parody. Many writers, critics, and even Anderson himself, accept commented that this gives his movies the feel of existence "self-independent worlds," or a "scale model household".[63] According to Jesse Play tricks Mayshark, his films have "a baroque pop bent that is non realist, surrealist or magic realist," just rather might be described as "fabul[ist]".[64] In 2019, the company Murals Wallpaper from the UK launched a line of wallpapers inspired by the visual design of Anderson's films.[65]
From The Life Aquatic with Steve Zissou on, Anderson has relied more heavily on stop motion animation and miniatures, even making entire features with stop motion blitheness with Fantastic Mr. Pull a fast one on and Island of Dogs.[66]
Soundtracks [edit]
Anderson often uses pop music from the 1960s and '70s on the soundtracks of his films, and ane ring or musician tends to dominate each soundtrack. Rushmore prominently featured Cat Stevens and British Invasion groups; The Royal Tenenbaums featured Nico; The Life Aquatic with Steve Zissou, David Bowie, including both originals and covers performed by Seu Jorge; The Darjeeling Limited and Rushmore, the Kinks; Fantastic Mr. Play tricks, the Beach Boys; and Moonrise Kingdom, Hank Williams. (Much of Moonrise Kingdom is filled with the music of Benjamin Britten, which is tied to a number of major plot points for that film.)[67] The Darjeeling Limited also borrowed music styles from Satyajit Ray's films. The Grand Budapest Hotel, which is by and large set in the 1930s, is notable for being the showtime Anderson film to eschew using whatsoever pop music, and instead used original music composed past Alexandre Desplat. Its soundtrack won Desplat the Academy Award for Best Original Score, the BAFTA Laurels for Best Film Music, and Earth Soundtrack Honor for Best Original Score of the Year. The soundtracks for his films have ofttimes brought renewed attention to the artists featured, most prominently in the case of "These Days", which was used in The Royal Tenenbaums.[68]
Personal life [edit]
Anderson is in a romantic relationship with Lebanese writer, costume designer, and voice actress Juman Malouf,[69] [lxx] who is the girl of novelist Hanan al-Shaykh.[71] Malouf gave nascency to the couple's daughter, Freya, in 2016. She is named after a graphic symbol from the motion-picture show The Mortal Storm. [72] [73] [74]
Anderson lives in Paris only has spent the majority of his adult life in New York.[75] [76] [77] He is the brother of author, illustrator and actor Eric Chase Anderson, who illustrated the Criterion Drove releases of some of Anderson's films (Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou and The Darjeeling Limited) and provided the phonation of Kristofferson Silverfox in Fantastic Mr. Fox.[78]
In popular civilisation [edit]
- In 2011, Italian indie pop band I Cani released a song titled Wes Anderson, with lyrics alluding to the tropes present in Anderson's movies.[79]
- In 2013, Sat Dark Live did a parody of Wes Anderson'southward take on a horror film with a moving-picture show trailer for the fictional The Midnight Coterie of Sinister Intruders. The trailer starred Edward Norton every bit Owen Wilson, Noel Wells as Gwyneth Paltrow, Kate McKinnon as Tilda Swinton, and Alec Baldwin as the narrator.[80]
- In 2015, the film-dedicated YouTube channel Patrick (H) Willems made a parody video titled What if Wes Anderson Directed Ten-Men?. The video has 3 meg views.[81]
- In November 2017, Family Guy aired its Season 16 episode titled Three Directors, about Peter Griffin's firing from his job at the brewery, as told in the idiosyncratic styles of directors Quentin Tarantino, Wes Anderson, and Michael Bay.[82]
- A parcel in the popular programming language R was named after Wes Anderson.[83] Information technology features several palettes derived from the Tumblr blog "Wes Anderson Palettes",[84] which creates appealing color palettes inspired past frames of Anderson's movies.
- A new book titled Accidentally Wes Anderson, based on the popular Instagram business relationship, was published in October 2020. The volume features photographs of locations and people in the signature style of Wes Anderson's films.[85]
- In January 2021, The Simpsons aired its Season 32 episode titled The Dad-Feelings Express. The title of the episode references Wes Anderson's 2007 film The Darjeeling Limited. The episode itself tells the origin story of the Simpsons character Comic Book Guy, and references several Wes Anderson styles and tropes including a Royal Tenenbaums-esque chronicling of the graphic symbol's elaborate family unit tree.[86]
Filmography [edit]
Year | Title | Distributor |
---|---|---|
1996 | Canteen Rocket | Sony Pictures Releasing |
1998 | Rushmore | Buena Vista Pictures |
2001 | The Imperial Tenenbaums | |
2004 | The Life Aquatic with Steve Zissou | |
2007 | The Darjeeling Limited | Fox Searchlight Pictures |
2009 | Fantastic Mr. Play tricks | 20th Century Fox |
2012 | Moonrise Kingdom | Focus Features |
2014 | The M Budapest Hotel | Fox Searchlight Pictures |
2018 | Isle of Dogs | |
2021 | The French Dispatch | Searchlight Pictures |
TBA | Asteroid City | TBA |
The Wonderful Story of Henry Sugar [49] | Netflix |
Awards and nominations [edit]
Yr | Title | Academy Awards | BAFTA Awards | Gilt Globe Awards | |||
---|---|---|---|---|---|---|---|
Nominations | Wins | Nominations | Wins | Nominations | Wins | ||
2001 | The Royal Tenenbaums | 1 | 1 | ane | 1 | ||
2009 | Fantastic Mr. Play a trick on | 2 | 2 | 1 | |||
2012 | Moonrise Kingdom | 1 | one | 1 | |||
2014 | The Grand Budapest Hotel | 9 | 4 | 11 | 5 | 4 | ane |
2018 | Isle of Dogs | ii | 2 | 2 | |||
Full | 15 | 4 | 17 | five | ix | 2 |
Recurring collaborators [edit]
Anderson's films characteristic many recurring actors, including the Wilson brothers (Owen, Luke, and Andrew), Bill Murray, Jason Schwartzman, Anjelica Huston, Wallace Wolodarsky, Willem Dafoe, Frances McDormand, Edward Norton, Kumar Pallana, Bob Balaban, Adrien Brody and Tilda Swinton.[87] [88]Robert Yeoman has served equally director of photography for all of Anderson'due south alive-activity films, while Mark Mothersbaugh equanimous Anderson's get-go four films, with Alexandre Desplat taking over for every movie since Fantastic Mr. Play a trick on.[89] Randall Affiche has served equally music supervisor for all of Anderson'southward films since Rushmore.
Frequent actor collaborations (three or more films) | |||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Work Actor | |||||||||||||
Canteen Rocket | Rushmore | The Royal Tenenbaums | The Life Aquatic with Steve Zissou | The Darjeeling Limited | Fantastic Mr. Pull a fast one on | Moonrise Kingdom | The Yard Budapest Hotel | Isle of Dogs | The French Dispatch | Asteroid City (TBA)[xc] [91] [92] [93] | |||
Bob Balaban | ![]() | ![]() | ![]() | ![]() | |||||||||
Adrien Brody | ![]() | ![]() | ![]() | ![]() | ![]() | ||||||||
Seymour Cassel | ![]() | ![]() | ![]() | ||||||||||
Willem Dafoe | ![]() | ![]() | ![]() | ![]() | |||||||||
Jeff Goldblum | ![]() | ![]() | ![]() | ![]() | |||||||||
Anjelica Huston | ![]() | ![]() | ![]() | ![]() | ![]() | ||||||||
Harvey Keitel | ![]() | ![]() | ![]() | ||||||||||
Frances McDormand | ![]() | ![]() | ![]() | ||||||||||
Bill Murray | ![]() | ![]() | ![]() | ![]() | ![]() | ![]() | ![]() | ![]() | ![]() | ![]() | |||
Edward Norton | ![]() | ![]() | ![]() | ![]() | |||||||||
Dipak Pallana | ![]() | ![]() | ![]() | ||||||||||
Kumar Pallana | ![]() | ![]() | ![]() | ![]() | |||||||||
Tony Revolori | ![]() | ![]() | ![]() | ||||||||||
Liev Schreiber | ![]() | ![]() | ![]() | ||||||||||
Jason Schwartzman | ![]() | ![]() | ![]() | ![]() | ![]() | ![]() | ![]() | ![]() | |||||
Fisher Stevens | ![]() | ![]() | ![]() | ![]() | |||||||||
Tilda Swinton | ![]() | ![]() | ![]() | ![]() | ![]() | ||||||||
Andrew Wilson | ![]() | ![]() | ![]() | ||||||||||
Luke Wilson | ![]() | ![]() | ![]() | ||||||||||
Owen Wilson | ![]() | ![]() | ![]() | ![]() | ![]() | ![]() | ![]() | ![]() | |||||
Wally Wolodarsky | ![]() | ![]() | ![]() | ![]() | ![]() | ||||||||
Tony Revolori | ![]() | ![]() | ![]() |
Recurring collaborators, chronological [edit]
Work Thespian | 1996 | 1998 | 2001 | 2004 | 2007 | 2009 | 2012 | 2014 | 2018 | 2021 | TBA | TBA |
---|---|---|---|---|---|---|---|---|---|---|---|---|
Bottle Rocket | Rushmore | The Royal Tenenbaums | The Life Aquatic with Steve Zissou | The Darjeeling Express | Fantastic Mr. Fox | Moonrise Kingdom | The Yard Budapest Hotel | Isle of Dogs | The French Dispatch | Asteroid City | The Wonderful Story of Henry Sugar | |
Owen Wilson | ||||||||||||
Luke Wilson | ||||||||||||
Jason Schwartzman | ||||||||||||
Bill Murray | ||||||||||||
Anjelica Huston | ||||||||||||
Gwyneth Paltrow | ||||||||||||
Ben Stiller | ||||||||||||
Cate Blanchett | ||||||||||||
Willem Dafoe | ||||||||||||
Jeff Goldblum | ||||||||||||
Adrien Brody | ||||||||||||
Meryl Streep | ||||||||||||
Edward Norton | ||||||||||||
Frances McDormand | ||||||||||||
Tilda Swinton | ||||||||||||
Harvey Keitel | ||||||||||||
Ralph Fiennes | ||||||||||||
Jude Law | ||||||||||||
Saoirse Ronan | ||||||||||||
Tony Revolori | ||||||||||||
Léa Seydoux | ||||||||||||
Scarlett Johansson | ||||||||||||
Benicio del Toro | ||||||||||||
Bryan Cranston | ||||||||||||
Tom Hanks | ||||||||||||
Margot Robbie | ||||||||||||
Bridegroom Cumberbatch | ||||||||||||
Ben Kingsley |
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Bibliography [edit]
- Browning, Mark (2011). Wes Anderson: why his movies matter. Santa Barbara, Calif: Praeger. ISBN978-1-59884-352-one.
- "Special Issue: Wes Anderson & Co". New Review of Film and Idiot box Studies. 10 (one). 2012. ISSN 1740-0309.
- Seitz, Matt Zoller (2013). The Wes Anderson Drove. New York, New York: Harry Northward. Abrams. ISBN978-0-8109-9741-7.
Farther reading [edit]
- "Special Issue: Wes Anderson, Austin Auteur". Texas Studies in Literature and Language. lx (two). 2018. ISSN 1534-7303.
- Seitz, Matt Zoller (2013). The Wes Anderson Collection. New York, New York: Harry Due north. Abrams. ISBN978-0-8109-9741-vii.
- Browning, Marking (2011). Wes Anderson: why his movies affair. Santa Barbara, Calif: Praeger. ISBN978-i-59884-352-1.
- "Special Outcome: Wes Anderson & Co". New Review of Picture show and Television Studies. ten (i). 2012. ISSN 1740-0309.
- MacDowell, James (2010). "Notes on Quirky" (PDF). Flick: A Journal of Movie Criticism. Warwick University (1).
- Kunze, Peter C., ed. (2014). The films of Wes Anderson: Disquisitional essays on an Indiewood icon. New York, NY: Palgrave Macmillan. ISBN978-ane-349-48692-2.
External links [edit]
- Wes Anderson at IMDb
- Wes Anderson at AllMovie
- Wes Anderson at Unsung Films
- "Into The Deep", in-depth Anderson profile at The Guardian February 12, 2005
- "Wes Anderson", a brief profile by Martin Scorsese in Esquire.
Source: https://en.wikipedia.org/wiki/Wes_Anderson
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